{"id":752,"date":"2020-03-29T12:45:09","date_gmt":"2020-03-29T11:45:09","guid":{"rendered":"https:\/\/test.swisspunk.ch\/?page_id=752"},"modified":"2024-05-26T17:53:50","modified_gmt":"2024-05-26T16:53:50","slug":"discography-j","status":"publish","type":"page","link":"https:\/\/swisspunk.ch\/index.php\/discography-j\/","title":{"rendered":"DISCOGRAPHY J"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"752\" class=\"elementor elementor-752\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3e778e2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3e778e2\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6e8a687\" data-id=\"6e8a687\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-36de61a elementor-widget elementor-widget-heading\" data-id=\"36de61a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Artists starting with \"J\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5e11420 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5e11420\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-531cc8d\" data-id=\"531cc8d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f07c07f elementor-widget elementor-widget-text-editor\" data-id=\"f07c07f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: #008000;\">Gr\u00fcne<\/span> Eintr\u00e4ge = Neue Eintr\u00e4ge (ab 2020)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1074d2a3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1074d2a3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-528efdf3\" data-id=\"528efdf3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-55d99cdf elementor-nav-menu--dropdown-mobile elementor-nav-menu__text-align-aside elementor-nav-menu--toggle elementor-nav-menu--burger elementor-widget elementor-widget-nav-menu\" data-id=\"55d99cdf\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;layout&quot;:&quot;horizontal&quot;,&quot;submenu_icon&quot;:{&quot;value&quot;:&quot;&lt;i class=\\&quot;fas fa-caret-down\\&quot; aria-hidden=\\&quot;true\\&quot;&gt;&lt;\\\/i&gt;&quot;,&quot;library&quot;:&quot;fa-solid&quot;},&quot;toggle&quot;:&quot;burger&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;,&quot;tablet&quot;,&quot;mobile&quot;],&quot;sticky_offset&quot;:0,&quot;sticky_effects_offset&quot;:0,&quot;sticky_anchor_link_offset&quot;:0}\" data-widget_type=\"nav-menu.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<nav aria-label=\"Menu\" class=\"elementor-nav-menu--main elementor-nav-menu__container elementor-nav-menu--layout-horizontal e--pointer-none\">\n\t\t\t\t<ul id=\"menu-1-55d99cdf\" class=\"elementor-nav-menu\"><li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-687\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-a\/\" class=\"elementor-item\">A<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-707\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-b\/\" class=\"elementor-item\">B<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-854\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-b-2\/\" class=\"elementor-item\">C<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-862\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-d\/\" class=\"elementor-item\">D<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-863\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-c\/\" class=\"elementor-item\">E<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-864\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-f\/\" class=\"elementor-item\">F<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-865\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-f-2\/\" class=\"elementor-item\">G<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-866\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-h\/\" class=\"elementor-item\">H<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-867\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-i\/\" class=\"elementor-item\">I<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-868\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-j\/\" class=\"elementor-item\">J<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-869\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-k\/\" class=\"elementor-item\">K<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-870\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-l\/\" class=\"elementor-item\">L<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-871\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-m\/\" class=\"elementor-item\">M<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-872\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-n\/\" class=\"elementor-item\">N<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-873\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-o\/\" class=\"elementor-item\">O<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-874\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-p\/\" class=\"elementor-item\">P<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-875\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-q\/\" class=\"elementor-item\">Q<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-876\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-r\/\" class=\"elementor-item\">R<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-877\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-s\/\" class=\"elementor-item\">S<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-878\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-t\/\" class=\"elementor-item\">T<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-879\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-u\/\" class=\"elementor-item\">U<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-880\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-v\/\" class=\"elementor-item\">V<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-881\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-w\/\" class=\"elementor-item\">W<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-882\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-x\/\" class=\"elementor-item\">X<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-883\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-y\/\" class=\"elementor-item\">Y<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-884\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-z\/\" class=\"elementor-item\">Z<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-885\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-split-records\/\" class=\"elementor-item\">Split Records<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2345\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-compilations\/\" class=\"elementor-item\">Compilations<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1967\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-wiederveroffentlichungen\/\" class=\"elementor-item\">Re-Editions<\/a><\/li>\n<\/ul>\t\t\t<\/nav>\n\t\t\t\t\t<div class=\"elementor-menu-toggle\" role=\"button\" tabindex=\"0\" aria-label=\"Menu Toggle\" aria-expanded=\"false\">\n\t\t\t<i aria-hidden=\"true\" role=\"presentation\" class=\"elementor-menu-toggle__icon--open eicon-menu-bar\"><\/i><i aria-hidden=\"true\" role=\"presentation\" class=\"elementor-menu-toggle__icon--close eicon-close\"><\/i>\t\t<\/div>\n\t\t\t\t\t<nav class=\"elementor-nav-menu--dropdown elementor-nav-menu__container\" aria-hidden=\"true\">\n\t\t\t\t<ul id=\"menu-2-55d99cdf\" class=\"elementor-nav-menu\"><li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-687\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-a\/\" class=\"elementor-item\" tabindex=\"-1\">A<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-707\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-b\/\" class=\"elementor-item\" tabindex=\"-1\">B<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-854\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-b-2\/\" class=\"elementor-item\" tabindex=\"-1\">C<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-862\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-d\/\" class=\"elementor-item\" tabindex=\"-1\">D<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-863\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-c\/\" class=\"elementor-item\" tabindex=\"-1\">E<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-864\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-f\/\" class=\"elementor-item\" tabindex=\"-1\">F<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-865\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-f-2\/\" class=\"elementor-item\" tabindex=\"-1\">G<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-866\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-h\/\" class=\"elementor-item\" tabindex=\"-1\">H<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-867\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-i\/\" class=\"elementor-item\" tabindex=\"-1\">I<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-868\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-j\/\" class=\"elementor-item\" tabindex=\"-1\">J<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-869\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-k\/\" class=\"elementor-item\" tabindex=\"-1\">K<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-870\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-l\/\" class=\"elementor-item\" tabindex=\"-1\">L<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-871\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-m\/\" class=\"elementor-item\" tabindex=\"-1\">M<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-872\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-n\/\" class=\"elementor-item\" tabindex=\"-1\">N<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-873\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-o\/\" class=\"elementor-item\" tabindex=\"-1\">O<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-874\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-p\/\" class=\"elementor-item\" tabindex=\"-1\">P<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-875\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-q\/\" class=\"elementor-item\" tabindex=\"-1\">Q<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-876\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-r\/\" class=\"elementor-item\" tabindex=\"-1\">R<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-877\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-s\/\" class=\"elementor-item\" tabindex=\"-1\">S<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-878\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-t\/\" class=\"elementor-item\" tabindex=\"-1\">T<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-879\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-u\/\" class=\"elementor-item\" tabindex=\"-1\">U<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-880\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-v\/\" class=\"elementor-item\" tabindex=\"-1\">V<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-881\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-w\/\" class=\"elementor-item\" tabindex=\"-1\">W<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-882\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-x\/\" class=\"elementor-item\" tabindex=\"-1\">X<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-883\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-y\/\" class=\"elementor-item\" tabindex=\"-1\">Y<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-884\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-z\/\" class=\"elementor-item\" tabindex=\"-1\">Z<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-885\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-split-records\/\" class=\"elementor-item\" tabindex=\"-1\">Split Records<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2345\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-compilations\/\" class=\"elementor-item\" tabindex=\"-1\">Compilations<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1967\"><a href=\"https:\/\/swisspunk.ch\/index.php\/discography-wiederveroffentlichungen\/\" class=\"elementor-item\" tabindex=\"-1\">Re-Editions<\/a><\/li>\n<\/ul>\t\t\t<\/nav>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8c05d11 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8c05d11\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-daab33e\" data-id=\"daab33e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c203b37 elementor-widget elementor-widget-text-editor\" data-id=\"c203b37\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: #00ff00;\">Artist: Jack<\/span><br \/><span style=\"color: #008000;\">Title: Armee And Fuck-Off Tout Le Monde<\/span><br \/><span style=\"color: #008000;\">Songs: Armee And Fuck-Off Tout Le Monde \/\/ Th\u00e9ologiquement<\/span><br \/><span style=\"color: #008000;\">Media: 7&#8243; <\/span><br \/><span style=\"color: #008000;\">Released: 1981\/82<\/span><br \/><span style=\"color: #008000;\">Label &amp; Cat.#: <\/span><br \/><span style=\"color: #008000;\">Style: Punk<\/span><br \/><span style=\"color: #008000;\">Members: All instruments Jack<\/span><br \/><span style=\"color: #008000;\">Add. Info: Arranged, recorded, mixed and artwork by Jack. Edition 500 copies.<\/span><br \/><span style=\"color: #008000;\">City \/ State: Gen\u00e8va \/ GE<\/span><br \/><span style=\"color: #008000;\">See also:<\/span><\/p><p><span style=\"color: #008000;\">JACK<\/span><br \/><span style=\"color: #008000;\">1. When did you start the project Jack?<br \/><\/span><span style=\"color: #008000;\">Once I had heard the Metal Box by PIL (Public Image Limited), around 1980.<\/span><br \/><span style=\"color: #008000;\"><br \/>2. On the back of your record sleeve it simply states text and music by Jack.<\/span><br \/><span style=\"color: #008000;\">Yes, I wrote the songs, played the guitar, bass, synthesizer and also sang. I did pay for a drummer, but the rest was all me. I also designed the sleeve and was in charge of the entire production.<\/span><br \/><span style=\"color: #008000;\"><br \/>3. What was the name of the drummer and what happened to him afterwards? <\/span><br \/><span style=\"color: #008000;\">I honestly can&#8217;t remember his name or what became of him. <\/span><br \/><span style=\"color: #008000;\"><br \/>4. When did you release your 7&#8243; single and how many copies were pressed? <\/span><br \/><span style=\"color: #008000;\">It was a run of 500, released sometime in late 1981 or early 1982. I don&#8217;t know the exact date. <\/span><br \/><span style=\"color: #008000;\"><br \/>5. Did you record in a studio and, if so, which one? <\/span><br \/><span style=\"color: #008000;\">It was a cheap studio in Geneva. I remember, because it just had an 8-Track tape machine. <\/span><br \/><span style=\"color: #008000;\"><br \/>6. You mentioned that the music of PIL&#8217;s Metal Box (1979) inspired you, in what way? <\/span><br \/><span style=\"color: #008000;\">The sound, the attitude, the non-conformism of the music. It was like &#8220;anti music&#8221; and, at the time, absolutely new and radical. The Sex Pistols were more Rock, while PIL was entirely different&#8230; for me, like something from outer space. <\/span><br \/><span style=\"color: #008000;\"><br \/>7. The songs on the record, &#8220;Armee And Fuck-off Tout Le Monde&#8221; and &#8220;Th\u00e9ologiquement,&#8221; deal with issues that greatly concerned young people in Switzerland during the early 1980s. Can you explain your focus on these specific topics?<\/span><br \/><span style=\"color: #008000;\">At that time, I was a rebel. I never liked the army. I was about 20 years old and scheduled to do my military service, just like everybody else at my age. Luckily, I failed the physical exam due to a congenital eye disease. Yet, I had to pay hefty military taxes because I didn&#8217;t serve. Unbelievable! I have a health problem since I was born and then was punished for something that is not even my fault? For that reason I wrote the song &#8220;Armee And Fuck-off Tout Le Monde.&#8221; The second track, &#8220;Th\u00e9ologiquement,&#8221; deals with my dislike for priests and religion in general. I think that any religion divides, manipulates, and brutalizes people&#8230; it also creates terrorism.<\/span><br \/><span style=\"color: #008000;\"><br \/>8. Did Jack ever play live? If so, where and with other bands? <\/span><br \/><span style=\"color: #008000;\">No, it was just a studio project. But, I did play in some other bands that did live gigs in Geneva. For example, Tribunal, a local Post-Punk band that was heavily influenced by The Stranglers. <\/span><br \/><span style=\"color: #008000;\"><br \/>9. How long did Jack exist? Why did you end it? <\/span><br \/><span style=\"color: #008000;\">Jack is actually still alive because it is my nickname. However, the music has changed since then. At the time of the 7&#8243; record, I was all about rebellion and attitude. Although, my feelings are actually still the same nowadays with regard to military and religion. <\/span><br \/><span style=\"color: #008000;\"><br \/>10. I&#8217;m not sure if you are aware that your single is one of the most sought-after Swiss Post-Punk records. Yet, the search for you took more than five years! Especially, because the many musicians and sources in the French part of Switzerland knew nothing about Jack. Considering that it is your nickname you surely must also be known as such?<\/span><br \/><span style=\"color: #008000;\">Probably not. Because, as a musician I have always been something of a chameleon. Right now, for example, I&#8217;m doing more 1960s Rock and 1970s Hard Rock music. As for my nickname, it is what it is&#8230; I reckon, kind of discreet! <\/span><br \/><span style=\"color: #008000;\"><br \/>11. What bands did you know during the early 1980s Geneva Post-Punk scene? <\/span><br \/><span style=\"color: #008000;\">Tribunal, of course. Also, The Yodler Killers and Technycolor. <\/span><br \/><span style=\"color: #008000;\"><br \/>12. Unfortunately, I don&#8217;t know Tribunal. The Yodler Killers and Technycolor were two Punk bands from the late 1970s and barely existed in the early 1980s. May I suggest some other acts that were concurrent at the time of the Jack release and that you might have known. Film de Guerre or Boulevard Helvetique, both with former members of Technycolor. Then, also Discolokosst, The Teenage Girls From Auschwitz, The Xerxes Von Munsrhein, The Indian Feast, Copulation, Electric Toys, Code or The Zero Heroes.<\/span><br \/><span style=\"color: #008000;\">I definitely knew Discolokosst and The Zero Heroes since these were some of Geneva&#8217;s finest bands!!! <\/span><br \/><span style=\"color: #008000;\"><br \/>13. Did you also have a job at that time? What else did you do? <\/span><br \/><span style=\"color: #008000;\">I was a salesman in a TV-shop and really liked to play those first arcade video games that were just coming up in the early 1980s. <\/span><br \/><span style=\"color: #008000;\"><br \/>14. What about any further music projects after you had released the Jack record&#8230;<\/span><br \/><span style=\"color: #008000;\">In 1988, I decided to enrol in a music school by the name of &#8220;Rock Musician Institute&#8221; in Hollywood, CA (www.mi.edu). I stayed for one year and returned to Geneva, where I gave guitar lessons until 1999; both, private lessons and professionally at the music school ETM (www.etm.ch). I still make music and have bands in the French part of Switzerland and neighbouring France.<\/span><br \/><span style=\"color: #008000;\">\u00a9 2016, Interview with Jack by Lurker Grand \/ Translation: Andr\u00e9 P. Tschan&amp; Colleen Duran<\/span><\/p><p><span style=\"color: #ffffff;\">Artist: Jack &amp; the Rippers<\/span><br \/>Title: S\/T<br \/>Songs: No Desire \/ I Feel Like A Tram<br \/>Media: 7\u201d<br \/>Released: November 26 1979<br \/>Label &amp; Cat.#: Another Swiss Label ASL-4<br \/>Style: Melodic Punk \/ Power Pop<br \/>Members: John Seilern voc, Francis Seilern voc-guit, Babine bass, P. Turian drums<br \/>Add. Info: Recorded in April 1978, the band had long seized to exist by the time the single came out.<br \/>City \/ State: Geneve \/ GE<br \/>See also: Zero Heroes<\/p><p>The original 7\u201d single is now very hard to find. However, there was a re-release in 2005 by the German Label Dirty Faces as well as a complete LP of the 1978 recordings \u2013 currently available as Vinyl and CD through the Shop at www.swisspunk.ch<\/p><p><span style=\"color: #008000;\">Jack &amp; The Rippers &#8211; a brief history lesson<\/span><br \/><span style=\"color: #008000;\">After hearing the Sex Pistols, the brothers John (voc) and Francis Seilern (guitar \/ voc) decided to start a Punk Rock band. They were still living in Vienna at the time. They then returned to Geneva in October 1977 and formed the Jack &amp; The Rippers, together with Andr\u00e9 Tieche on drums and Babine on bass. They had all previously played together in a Rock &#8216;n&#8217; Roll band called The Thunderbirds. The Rippers had their first show about two months later in a cellar at the Rue de Monthoux. They played almost exclusively songs by the Sex Pistols: including &#8220;Anarchy in the UK&#8221;, &#8220;God Save The Queen&#8221; and &#8220;Holidays In The Sun.&#8221; Most likely, also &#8220;Automobile&#8221; (a favourite tune of the Rippers) by the little known British punk band The Rings and, of course, &#8220;Sheena Is A Punk Rocker&#8221; by the Ramones. In January 1978 Andr\u00e9 left the band to become an aid worker in Africa and he was replaced by Philip Turrian on drums. A few months later Francis, John and Babine heard that Andr\u00e9 had been shot by rebels in Angola.<\/span><br \/><span style=\"color: #008000;\">Against all odds, the band continued playing gigs in every club in town: at the Midnight Rambler, Backstage, New Morning, Gr\u00fctli, and on March 2 at the opening of the Back to Mono record shop. In April 1978 they recorded ten tracks with Michel Engeli at the THC Studio. All but two songs were own compositions. &#8220;Cold Turkey&#8221; by John Lennon and &#8220;Automobile&#8221; by Alan Lee Shaw of The Rings were cover versions. A demo tape of these recordings was then released, which additionally included the song &#8220;Endless Peace&#8221;, in memory of Andr\u00e9. On June 7, 1978, they played their last gig &#8211; a tribute concert for Andr\u00e9 &#8211; at the Midnight Rambler. Over a year later, on November 26, 1979, Urs Steiger released the first (and only) Jack &amp; The Rippers 7&#8243; single on &#8220;Another Swiss Label&#8221;, featuring the two songs &#8220;No Desire&#8221; and &#8220;I Feel Like A Tram.&#8221; A second one, with the tracks &#8220;Safe And Secure&#8221; and &#8220;Don&#8217;t Pretend&#8221;, was planned for Christmas of that year. To-date, this 7&#8243; has been never officially released. Shortly thereafter, John, Francis and Babine formed a new band called The Zero Heroes; together with Sandro Sursock from the prior Thunderbirds and Bastards.<\/span><br \/><span style=\"color: #008000;\">In response to the question whether or not the Rippers would ever perform live again, John has a clear answer: Do I think it&#8217;s over?&#8230; No, I know it&#8217;s over!<\/span><br \/><span style=\"color: #008000;\">\u00a9 2016 Lurker Grand \/ Translation: Andr\u00e9 P. Tschan&amp; Colleen Duran<\/span><\/p><p><span style=\"color: #ffffff;\">Artist: Jack Rabitt Band<\/span><br \/>Title: The Sprayer<br \/>Songs: The Sprayer \/ Kathy \/ Revenge<br \/>Media: 7\u201c<br \/>Released: 1979<br \/>Label &amp; Cat.#:<br \/>Style: New Wave<br \/>Members: Jack Zweifel guit-voc, Peter Zweifel guit-voc, Stephan Brun bass, Peter Berger drums, Eliane Annen backvoc<br \/>Add. Info:<br \/>City \/ State: Z\u00fcrich \/ ZH<br \/>See also: Peter Berger<\/p><p><span style=\"color: #ffffff;\">Artist: Jack Rabitt Band<\/span><br \/>Title: Balla Balla<br \/>Songs: Balla Balla \/ Stupid Lies<br \/>Media: 7\u201c<br \/>Released: 1981<br \/>Label &amp; Cat.#: EMI Records C 006-76179<br \/>Style: New Wave<br \/>Members: Jack Zweifel guit-voc, Peter Zweifel guit-voc, Stephan Brun bass, Peter Berger drums, Eliane Annen backvoc<br \/>Add. Info: Coverphoto by ART<br \/>City \/ State: Z\u00fcrich \/ ZH<br \/>See also: Peter Berger<\/p><p><span style=\"color: #ffffff;\">Artist: Jack Rabitt Band<\/span><br \/>Title: A Girl For Murder<br \/>Songs: A Girl For Murder \/ I waste My Time \/ I\u2019m Going My Way \/ Boaring Time \/ Stupid Lies \/\/<br \/>Balla Balla \/ Hanging Around \/ You Take Me, You Break Me \/ I Won\u2019t Belive \/ Sex<br \/>Media: LP<br \/>Released: 1982<br \/>Label &amp; Cat.#: EMI Records C 064-76196<br \/>Style: New Wave<br \/>Members: Jack Zweifel guit-voc, Peter Zweifel guit-voc, Stephan Brun bass, Peter Berger drums, Eliane Annen backvoc<br \/>Add. Info: Cover art by Rollo &amp; Bertschi, cover photos by M.Lieb<br \/>City \/ State: Z\u00fcrich \/ ZH<br \/>See also: Peter Berger<\/p><p><span style=\"color: #008000;\">The Story of THE JACK RABBIT BAND<\/span><\/p><p><span style=\"color: #008000;\">Die Anf\u00e4nge der Band reichen bis ins Jahr 1969 zur\u00fcck, als sich Urs Bachmann (Gitarre, Piano, Gesang) und Ede Br\u00fcgger (Bass) f\u00fcr die Vertonung eines Theaterst\u00fcckes zusammen fanden. Mit von der Partie waren auch Andy F\u00fcrer (Gitarre, Gesang) beim Theater, sowie Paul Canessa (Schlagzeug, R.I.P) und Felix Bachmann (Gitarre, Gesang) bei der Band. Nannte sich die Band am Anfang noch \u201eThe Three\u201c wurde dann im Jahre 1974 \u201eThe Jack Rabbit Band\u201c aus der Taufe gehoben. Die Besetzung bestand aus den bereits erw\u00e4hnten Urs Bachmann, Ede Br\u00fcgger, Andy F\u00fcrer und neu Beat Ruckstuhl am Schlagzeug. Die Band konnte sich schon damals in der bl\u00fchenden Wetzikoner-Musikscene mit \u00fcber 100 Gruppen einen soliden Namen erspielen. Die Z\u00fcrcher Oberl\u00e4nder Scene hatte bis anfangs der 80er Jahre den Ruf, die wohl gr\u00f6sste Banddichte im Verh\u00e4ltnis zur Bev\u00f6lkerung schweizerischer Orte zu haben.<\/span><br \/><span style=\"color: #008000;\">1979 kam es zum grossen Personal- und Stil-Wechsel. Peter Berger kam neu ans Schlagzeug und Jack Zweifel (Gitarre, Gesang) von den\u201eFreezing Point\u201c ersetzte Andy F\u00fcrer. Dies war zur gleichen Zeit als die \u201eneue Welle\u201c, einmal mehr aus England kommend, mit ihren alternativen Labels und sich selbst organisierenden Bands auch in der Schweiz Fuss fasste. Die \u201eJack Rabbit Band\u201c war sich klar, dass sie auch in diese Richtung arbeiten wollte. Man liess sich auch musikalisch vom New-Wave inspirieren und war sich nach ein paar erfolgreichen Konzerten einig, etwas auf Vinyl pressen zu lassen. Im August 1979 wurde in den Rockstar Studios in London die Single \u201eThe Sprayer\u201c aufgenommen. Als Produzent amtete John Springate und die Woche mit ihm erwies sich als die bis anhin kreativste Zeit der neuen Bandformation. Mehr als zufrieden und mit der Gewissheit ein gutes Tape zu besitzen, verliess man das Studio. Nach kurzer Zeit fand sich dann auch ein Label, Musk Project, das bereit war die Single mit 3 St\u00fccken Anfang 1980 zu ver\u00f6ffentlichen. Die Band geh\u00f6rte damit zur ersten Band der Region die mit Vinyl aufwarten konnte. Dazu kam noch der Aufnahmeort London, das Mekka der Rock-Szene, was zu jener Zeit durchaus als eine handfeste Sensation bezeichnet werden konnte. Die Single mauserte sich vor allem in der Deutschschweiz zu einem beachtlichen Erfolg. Francois M\u00fcrner (FM) auf Sounds DRS2 und die im ganzen Land verbreiteten Fanzine bescherten der Band gute Kritiken und daraus resultierende Konzerte. Kurz nach der Ver\u00f6ffentlichung der Single verliess Urs Bachmann \u201eseine\u201c Band und wurde durch Adi Aerne ersetzt. Mit ihm spielte man auch am Fest vom 9. M\u00e4rz 1980 in der Roten Fabrik in Z\u00fcrich, dessen Video unter dem Titel \u201eIn der Roten Fabrik war der Teufel los\u201cseinen Weg ins Schweizerische Sozialarchiv fand.<\/span><br \/><span style=\"color: #008000;\">1980 kam es noch zu weiteren Wechseln im Line-Up. Adi Aerne wurde an der Gitarre durch Peter Zweifel (Bruder von Jack) abgel\u00f6st und f\u00fcr die Aufnahmen 1981 im New Sound Studio f\u00fcr den ersten Longplayer kam Stephan Brun f\u00fcr das Urmitglied Ede Br\u00fcgger an den Bass dazu. Unter der Regie von Martin Pearson wurde f\u00fcr EMI das zum Teil kommerziell ausgerichtet Album \u201eA Girl For Murder\u201c aufgenommen. Die LP h\u00e4tte zur grossen CH-Tour im Herbst 1981 erscheinen sollen , die man als Vorgrupppe der sich damals gerade in der Hitparade befindenden Ustermer Gruppe \u201eTrampolin\u201c bestreiten konnte. Immerhinwar die Single Auskoppelung \u201eBalla Balla\u201c bereits in den Radios zu h\u00f6ren und im Fernsehen in der Sendung \u201eKarusell\u201c (J\u00fcrg Maag, Untrue am Bass) die Band auch optisch zu sehen. Die Tour und ein Auftritt im Volkshaus in Z\u00fcrich vom 2. Oktober 1981 liessen die \u201eJack Rabbit Band\u201c national zu einem Begriff werden. Die LP \u201e A Girl for Murder\u201c erschien schlussendlich im Fr\u00fchling 1982.<\/span><br \/><span style=\"color: #008000;\">2016 \u00a9 Peter Berger aka Bergi<\/span><\/p><p><span style=\"color: #ffffff;\">Artist: Jaywalker<\/span><br \/>Title: Live 88 (Disease Demands An Exchange Of Value W\\ The Body)<br \/>Songs: Homo Sap \/ Big Depression \/ Eat My Shit \/ Aural Exciter \/\/ Dick Titt \/ Am I Really Mad \/ Remember Nothing \/ I Wanna Be Your Dog<br \/>Media: MC<br \/>Released: 1988 (was rereleased in 1991 on Klappstuhl Records \u2013 Trism 11 in Germany)<br \/>Label &amp; Cat.#: Eigenproduktion<br \/>Style: Punk Rock<br \/>Members : \u201eDee Dee\u201c Dietmar Gallhammer voc-guit, Domenique Mollet drums, Joke bass-voc<br \/>Urs Schwaller effects-bass<br \/>Add. Info: Released with a single-sided, photocopied on orange paper j-card with full inner backflap.<br \/>Contains a single-sided, b\/w photocopied lyrics insert with a few pics. A1 to A4 recorded live June 15, 1988 at Kanzlei, Z\u00fcrich. B1 recorded live April 3, 1988 in Winterthur. B2 and B3 recorded live April 27, 1988 in St. Gallen. B4 recorded live May 1, 1988 in Lenzburg. B2 is shortened on the cover insert to just &#8220;Really Mad&#8221;. The full title is found on the lyrics insert.<br \/>City \/ State: Aarau \/AG<br \/>See also: Mauerbl\u00fcmchen, Miscast<\/p><p><span style=\"color: #ffffff;\">Artist: Jaywalker<\/span><br \/>Title: Oben Und Unten<br \/>Songs: Homo Sap \/ From Seattle To Vihara \/ Naked Lunch \/ Liberation Act \/\/<br \/>Really Mad \/ Big Depression \/ Remember Nothing \/ Eat My Shit<br \/>Media: MC<br \/>Released: 1988<br \/>Label &amp; Cat.#: Eigenproduktion<br \/>Style: Punk Rock<br \/>Members : \u201eDee Dee\u201c Dietmar Gallhammer voc-guit, Domenique Mollet drums, Joke bass-voc<br \/>Urs Schwaller effects-bass<br \/>Add. Info:<br \/>City \/ State: Aarau \/AG<br \/>See also: Mauerbl\u00fcmchen, Miscast<\/p><p><span style=\"color: #ffffff;\">Artist: Jaywalker<\/span><br \/>Title: Free Energy Through Unconnected Coils Like Tesla &amp; Reich Generators<br \/>Songs: Free Energy \/ Calzado Parra Guerra \/ USSA \/ Homo Sap \/ Aural Exciter \/\/<br \/>Sacco E Vanzetti \/ Joy Of Grief \/ In Satan&#8230; \/ Daily Reflexions<br \/>Media: LP<br \/>Released: 1989<br \/>Label &amp; Cat.#: Aural Exciter Records 13389<br \/>Style: Alternative Rock, Hardcore, Experimental<br \/>Members : Dietmar Gallhammer voc-guit, Domenique Mollet drums, Urs Schwaller bass<br \/>Add. Info: Cover Artwork by Dietmar Gallhammer, includes lyricsheet<br \/>City \/ State: Aarau \/AG<br \/>See also: Mauerbl\u00fcmchen, Miscast<\/p><p><span style=\"color: #ffffff;\">Artist: Jaywalker<\/span><br \/>Title: W \u0141odzi Wunder Wave 5 7.12.89<br \/>Songs: Naked Lunch \/ In Satan \/ Really Mad \/ USSA \/ Killing Time \/\/ Identic Disc \/ Major 3rd \/ Daily Reflexions \/ Dark Forces<br \/>Media: MC<br \/>Released: 1990<br \/>Label &amp; Cat.#: Resistance Productions \u2013 RIP 047<br \/>Style: Punk Rock<br \/>Members : \u201eDee Dee\u201c Dietmar Gallhammer voc-guit, Domenique Mollet drums, Urs Schwaller bass<br \/>Add. Info:<br \/>City \/ State: Aarau \/AG<br \/>See also: Mauerbl\u00fcmchen, Miscast<\/p><p><span style=\"color: #ffffff;\">Artist: Jaywalker<\/span><br \/>Title: i told them my dreams\u2026<br \/>Songs: Question Of Power \/ Identic Disc \/ Dark Forces \/\/<br \/>Major 3rd \/ Size Of The Flow \/ Killing Time<br \/>Media: LP<br \/>Released: Spring 91 (recorded november 90)<br \/>Label &amp; Cat.#: Aural Exciter Records 91105<br \/>Style: Alternative Rock, Hardcore, Experimental<br \/>Members : Dietmar Gallhammer voc-guit, Domenique Mollet drums<br \/>Add. Info: Cover Artwork by Dietmar Gallhammer, includes poster and ???<br \/>City \/ State: Aarau \/AG<br \/>See also: mauerbl\u00fcmchen, Miscast<\/p><p><span style=\"color: #ffffff;\">JAYWALKER<\/span><\/p><p>Jaywalker was founded in 1987 but were going through many line-up changes before the first LP was released in 1989. Urs Schwaller left sometime before the second Album &#8220;I Told Them My Dreams&#8221; &#8211; also on their own Aural Exciter imprint &#8211; was published. They toured more than working in the studio &#8211; mainly in east European countries where their uncomprimising sound and anarchistic messages fell on open ears.<br \/>After Jaywalker had ended, \u2018Dee Dee\u2019 Dietmar Gallhammer (guitar\/vocals) started this new project\/band Religious Overdose with Ivo H\u00e4rry (bass) &amp; Thomas Peter (drums; also in Forehead). He\u2019d relocated from Z\u00fcrich to Aarau&#8230;he passed way in 2012.<\/p><p><span style=\"color: #ffffff;\">Artist: Jeannie Bordelli &amp; Co<\/span><br \/>Title: You\u2019re Right<br \/>Songs: You\u2019re Right \/\/ Oh, My Baby<br \/>Media: 7\u201c<br \/>Released: 1988<br \/>Label &amp; Cat. #: Eigenprodutkion JBC 001<br \/>Style: New Wave<br \/>Members: G\u00e8rard Perrin bass-voc \/ Christoph Helmlin guitar-voc \/ Rudy Schenker keyb, Lex Gertschen drums ans Gianni Di Gallo drums<br \/>Add. Info: Produced by Rolf Schmid &amp; St\u00f6f. Recorded january 26,27,28. 1988 by T. Cutugno &amp; H. Munster at Schweinsesound Studios, Luzern. Cover art &amp; photos by Ir\u00e8ne, Julie, Johnny Bordelli &amp; Christoph Helmlin.<br \/>City \/ State: Luzern \/ LU<br \/>See also: Mad<\/p><p><span style=\"color: #ffffff;\">Artist: Jeannie Bordelli &amp; Co<\/span><br \/>Title: Evergreens<br \/>Songs: Like A Rainbow \/ Wisdom \/ Why \/ There Will Be A Light \/ It&#8217;s Not Heaven \/\/ It&#8217;s Gonna last \/ Wonderland \/ In The Street \/ I L&#8217;ll Never Know \/ Transpiration<br \/>Media: LP<br \/>Released: 1990\/91<br \/>Label &amp; Cat. #: Eigenproduktion JBC 002<br \/>Style: New Wave<br \/>Members: G\u00e8rard Perrin bass-voc \/ Christoph Helmlin guitar-voc \/ Rudy Schenker keyb, Lex Gertschen drums ans Gianni Di Gallo drums<br \/>Add. Info: Some live recordings from the Openair Biel in 1989<br \/>See also: Mad<\/p><p>Jeannie Bordelli &amp; Co<\/p><p>Jeannie Bordelli &amp; Co ist eine Band die ihren Ursprung und Namen aus der Punkzeit der 70er Jahre hat du war die erste Punkband \u00fcberhaupt aus Luzern. Damals hiess die Band aus 15 J\u00e4hrigen noch Johnny Bordelli &amp; Co. Die Rythmen waren hart und die Kl\u00e4nge laut. Ferdi und Jamie waren bis Ende 1978 mit dabei und gr\u00fcndeten sp\u00e4ter Mad. Christoph Helmin und Dieter Bernet machten mit Rudolf Suter (neu am Bass) noch bis Juli 1980 weiter und l\u00f6ssten sich sich dann auf. Christoph Helmin gr\u00fcndete in der zweiten H\u00e4lfte der 80er Jahre mit den neuen Mitmusikern G\u00e9rard Perrin: Bass, Gesang, Rudolf Schenker: Keyboards, und Alex Gertschen: Schlagzeug Jeannie Bordelli &amp; Co. Zwischen 1988 bis 92 fanden etliche Konzerte statt und neben einer Single aus dem Jahre 88 wurde auch 1990 noch eine LP eingespielt. Jeannie Bordelli &amp; Co gibt es bis heute in wechselnden Formationen. http:\/\/www.jeanniebordelliundco.ch\/<br \/>\u00a9 Christoph Helmin &amp; Lurker<\/p><p><span style=\"color: #ffffff;\">Artist: Jenseits Der Ordnung<\/span><br \/>Title: Ein neuer Anfang \/ St\u00fchle \/ Tschernodebil \/ Ich erwarte den Tag \/ Der wahre Grund (Die T\u00e4ler),<br \/>Blindschleichen \/ Allnacht \/ Stille 2 \/ Verunsicherung \/ Fr\u00fchling \/\/ Konsequez \/ Peitschenhiebe \/ Nazipunk \/ Arschl\u00f6cher \/ Hornhaut \/ Frost \/ Aufenthalt \/ Stille \/ Entenhausen \/ Tanz des B\u00f6sen<br \/>Songs: Ein neuer Anfang \/ St\u00fchle \/ Tschernodebil \/ Ich erwarte den Tag \/ Der wahre Grund (Die T\u00e4ler), Blindschleichen \/ Allnacht \/ Stille 2 \/ Verunsicherung \/ Fr\u00fchling \/\/ Konsequez \/ Peitschenhiebe \/ Nazipunk \/ Arschl\u00f6cher \/ Hornhaut \/ Frost \/ Aufenthalt \/ Stille \/ Entenhausen \/ Tanz des B\u00f6sen<br \/>Media: LP<br \/>Released: 1990<br \/>Label &amp; Cat.#: Eigenproduktion Recycling Records<br \/>Style: Lyric &amp; Hardcore, Punk<br \/>Members: Bruno Schlatter guit-voc, Micheal Zingg guit, Reto Gloor bass, Daniele Contessott drums<br \/>Beno Kissling perc, Ren\u00e9 von Gr\u00fcnig sax-synth plus spezial guest Dieter Amann bass-tromp-synth<br \/>&amp; Andi Hug drum<br \/>Add. Info: Includes all lyrics in form af a fanzine and infosheet. Recorded at Dionysos Studio.<br \/>20 vertonte deutsche Gedichte von Bruno Schlatter (dem Sony Rollings der Schweiz) durch die Hardcore-Punkband Jenseits der Ordnung.<br \/>City \/ State: Zoffingen \/ AG<br \/>See also:<\/p><p>More infos: http:\/\/nosenoise.ch\/<\/p><p><span style=\"color: #ffffff;\">Artist: Jellyfish Kiss, the<\/span><br \/>Title: Micky Mosquito<br \/>Songs: Micky Mosquito \/\/ Targets In Motion<br \/>Media: 7\u201c<br \/>Released: 1989<br \/>Label &amp; Cat.#: BOY 003<br \/>Style: Chanson<br \/>Members: Gaudenz Jehli &amp; Thomas B\u00e4chli accordion, Anna Maria Meier bass, Olivier Monney drums, Andrea Caprez voc-guit<br \/>Add. Info: Words by Christoph Schuler<br \/>City \/ State: Z\u00fcrich \/ ZH<br \/>See also: W84, The Screaming Beats, Complete Enchanter<\/p><p><span style=\"color: #ffffff;\">Artist: Jellyfish Kiss, the<\/span><br \/>Title: Sounds Session<br \/>Songs: Marie, Marie \/ The Monster \/ Bricklayer In The Snow \/\/ This Is The Night \/ Honeymoon Hotel<br \/>\/ A Song About Nothing<br \/>Media: 12\u201c<br \/>Released: 1989<br \/>Label &amp; Cat.#: Sounds SoSo 005<br \/>Style: Chanson<br \/>Members: Gaudenz Jehli &amp; Thomas B\u00e4chli accordion, Anna Maria Meier bass, Olivier Monney drums, Andrea Caprez voc-guit<br \/>Add. Info: Words by Christoph Schuler, cover art by Roli Fischbacher, cover foto by Jul Keyser.<br \/>City \/ State: Z\u00fcrich \/ ZH<br \/>See also: W84, The Screaming Beats, Complete Enchanter,<\/p><p><span style=\"color: #ffffff;\">Artist: Jellyfish Kiss, the<\/span><br \/>Title: Meana Me<br \/>Songs: Meana Me \/\/ Grey Disease<br \/>Media: 7\u201c<br \/>Released: 1990<br \/>Label &amp; Cat.#:<br \/>Style: Chanson<br \/>Members: Gaudenz Jehli &amp; Thomas B\u00e4chli accordion, Anna Maria Meier bass, Olivier Monney drums, Andrea Caprez voc-guit<br \/>Add. Info: Words by Christoph Schuler<br \/>City \/ State: Z\u00fcrich \/ ZH<br \/>See also: W84, The Screaming Beats, Complete Enchanter,<\/p><p><span style=\"color: #ffffff;\">Artist: Jellyfish Kiss, the<\/span><br \/>Title: Same (Live)<br \/>Songs: Bricklayers \/ Nothing \/ The Fat Lady Of Limbourg \/ Honeymoon Hotel \/ Menna Me \/<br \/>Grey Deaense \/ Mind On The Run \/ Micky Mosquito \/ Targets In Motion<br \/>Media: MC<br \/>Released: 1990<br \/>Label &amp; Cat.#: Eigenproduktion<br \/>Style: Chanson<br \/>Members: Gaudenz Jehli accordion, Anna Maria Meier bass-voc, Olivier Monney drums-voc, Andrea Caprez voc-guit<br \/>Add. Info: Recorded live at the Betonbunker<br \/>City \/ State: Z\u00fcrich \/ ZH<br \/>See also: W84, The Screaming Beats, Complete Enchanter,<\/p><p><span style=\"color: #ffffff;\">Artist: Jellyfish Kiss, the<\/span><br \/>Title: Same<br \/>Songs: Avenida Meridiana \/ I Need An Enemy \/ Marie, Marie \/ The Monster \/ Bricklayer In The Snow<br \/>\/ This Is The Night \/ Honeymoon Hotel \/ A Song About Nothing \/ Meana Me \/ Grey Disease \/ Mickey Mosquito \/ Targets In Motion<br \/>Media: CD<br \/>Released: 1991<br \/>Label &amp; Cat.#: BOY 008<br \/>Style: Chanson<br \/>Members: Gaudenz Jehli accordion, Anna Maria Meier bass, Olivier Monney drums, Andrea Caprez voc-guit<br \/>Add. Info: Words by Christoph Schuler, cover art by Roli Fischbacher, cover foto by Alfred R. Matthias. This are all songs, that where released already in 1989\/90.<br \/>City \/ State: Z\u00fcrich \/ ZH<br \/>See also: W84, The Screaming Beats, Complete Enchanter,<\/p><p>The Jellyfish Kiss<\/p><p>Mit den Wurzeln zwischen Chur und den Doors lag die Band W 84 von 1980-82 v\u00f6llig quer zu ihrer Zeit. Damals wurde in Z\u00fcrich im Haus der WG Wibi geprobt.<br \/>Die z\u00fcrcherisch-b\u00fcndnerische Gruppe Jellyfish Kiss wurde 1989 von Andrea Caprez (geboren 1954 in Chur; Stimme, Gitarre), Gaudenz Jehli (Akkordeon), Anna-Maria Meier (Bass) und Olivier Monney (Schlagzeug) gegr\u00fcndet. F\u00fcr die Texte war Christoph Schuler (geboren 1954) zust\u00e4ndig (bekannt als Mitherausgeber von Strapazin und f\u00fcr seine &#8220;Retuschen&#8221; im Magazin). Einen ersten coolen Radiohit hatte die Gruppe bereits 1989 mit Micky Mosquito. Nach endlosen Tingeln durch verrauchte Kellerbars und schummrige Kneipen folgten weitere Singles, die von Presse und Publikum mit grossem Interesse aufgenommen wurden. Die Gruppe reiste damals mit der Bahn an ihre Konzerte, da keiner der Beteiligten autofahren konnte. Andrea Caprez&#8217; Stimme wurde schon bald mit der von Bob Dylan, Mink de Ville oder Tom Rapp (Pearls Before Swine) verglichen.<\/p><p><span style=\"color: #00ff00;\">Artist: Jim Knopf Und Lukas Der Lokomotivf\u00fchrer<\/span><br \/><span style=\"color: #008000;\">Title: TV &#8211; Time<\/span><br \/><span style=\"color: #008000;\">Songs: TV &#8211; Time \/\/ Je T&#8217;aime<\/span><br \/><span style=\"color: #008000;\">Media: 7&#8243;<\/span><br \/><span style=\"color: #008000;\">Released: 1982<\/span><br \/><span style=\"color: #008000;\">Label &amp; Cat.#: Eigenproduktion &#8211; 1282<\/span><br \/><span style=\"color: #008000;\">Style: Punk, Power Pop<\/span><br \/><span style=\"color: #008000;\">Members: Lukas B. aka the train engine driver vocals-guitar, Urs K. bass aka Jim Knopf, Peter Berger drums<\/span><br \/><span style=\"color: #008000;\">Add. Info: Includes insert<\/span><br \/><span style=\"color: #008000;\">City \/ State: Baden\/AG &amp; Z\u00fcrich\/ZH<\/span><br \/><span style=\"color: #008000;\">See also: Jack Rabbit Band<\/span><\/p><p><span style=\"color: #008000;\">Jim Knopf und Lukas der Lokomotivf\u00fchrer<\/span><br \/><span style=\"color: #008000;\">[The band used the name in reference to a famous German children&#8217;s book by Michael Ende, published in 1960. It tells of the adventures of an orphaned black child Jim Knopf &#8211; mailed by post to a place called Lummerland &#8211; his friend Lukas the engine driver, and a locomotive called Emma.]<\/span><br \/><span style=\"color: #008000;\">Pre-Christmas Zurich-East 1981: Lukas B. aka the train engine driver (vocals, guitar), Urs K. (bass, ex-Liars) aka Jim Knopf, and a drummer from Lukas&#8217; circle of acquaintances (his nickname was something like &#8220;Jackson&#8221; or &#8220;Jason&#8221;) meet each other in a fashion that, in all truth, remains complete speculation. Whether it was an ad, through mediation of a colleague, or sheer coincidence, is not known. Nevertheless, the three of them work themselves through the songs written by Lukas B. and soon achieve a considerable repertoire of punky power-pop numbers. <\/span><br \/><span style=\"color: #008000;\">Peter B. (drums, ex-Liars, The Jack Rabbit Band), a friend to Jim Knopf, then replaces the first drummer prior to the studio sessions and joins in as the locomotive.<\/span><br \/><span style=\"color: #008000;\">That was the birth of Jim Knopf und Lukas der Lokomotivf\u00fchrer. A trio, of whom no one knows much of anything, despite &#8220;immortalizing&#8221; two tracks on vinyl in Spring of 1982. The recordings in the Platinum Studio in Oberehrendingen were done on tape and a cool cover was made by the, at the time, aspiring graphic artist Markus Thommen (who later worked with music magazines such as Pop, Musik Express and Bravo). The 7&#8243; single was pressed but the planned promotion tour fell through. As a result, only a handful of the singles were given away to friends and acquaintances. <\/span><br \/><span style=\"color: #008000;\">A few copies also reached various radio stations and according to rumours, at least the listeners of the show Sounds! on DRS3 were able to hear &#8220;TV-Time&#8221; and &#8220;Je t\u2019aime.&#8221;<\/span><br \/><span style=\"color: #008000;\">Lukas B. thereafter emigrated to New Zealand and absconded to a farm. He remained musically active-creative and nowadays lives partially back in the home country of Switzerland. With old friends from his very first youth band, he creates new singer-songwriter-pop-rock-songs, along with a variety of live gigs and CD productions in the studio.<\/span><br \/><span style=\"color: #008000;\">Jim Knopf, attended the Swiss Jazz School in Berne; at the time, the first jazz school on a academy of music (Konservatorium) level, finishing the programme as a professional musician and music teacher. Thereon followed 23 years in IT as a software developer and, additionally, by the age of 53 the successful completion of an apprenticeship as a motorbike mechanic. Nowadays, he works independently and lovingly on old bikes and those that remain young. For sure, he would not be averse to any new punky musical activity. Punk rules!<\/span><br \/><span style=\"color: #008000;\">Peter B., continued to work the drumheads in two dozen different groups. In Cyprus, where he emigrated first, he gained the title of &#8220;loudest drummer on the island!&#8221; In Thailand, the second station of his hike and where he intermittently is considered missing, he operates as a farang drummer within the realm of illegality and, therefore, occasionally hides in the jungle. One of his last signs of life was his book published in 2012.<\/span><br \/><span style=\"color: #008000;\">\u00a9 2015, Lukas Brunner, Urs K\u00e4lin, Peter Berger<\/span><\/p><p><span style=\"color: #00ff00;\">Artist: Jenseits der Ordnung<\/span><br \/><span style=\"color: #008000;\">Title: Jenseits Der Ordnung<\/span><br \/><span style=\"color: #008000;\">Songs: Ein Neuer Anfang \/ St\u00fchle\/ Tschernodebil \/ Ich Erwarte Den Tag \/ Der Wahre Grund (Die T\u00e4ler) \/ Blindschleichen \/ Allnacht \/ Stille II \/ Verunsicherung \/ Fr\u00fchling \/\/ Konsequez \/ Peitschenhiebe \/ Marzipank \/ Arschl\u00f6cher \/ Hornhaut \/ Frost \/ Aufenthalt \/ Stille \/ Entenhausen \/ Tanz Des B\u00f6sen<\/span><br \/><span style=\"color: #008000;\">Media: LP<\/span><br \/><span style=\"color: #008000;\">Released: 1990<\/span><br \/><span style=\"color: #008000;\">Label&amp; Cat.#: Recycling Records \u2013 RER 01<\/span><br \/><span style=\"color: #008000;\">Style: Postpunk, Experimental, Avantgarde<\/span><br \/><span style=\"color: #008000;\">Members: Bass \u2013 Reto Gloor, Congas \u2013 Beno Kissling, Drums \u2013 Daniele Contessotto, Guitar \u2013 Michael Zingg, Keyboards \u2013 Ren\u00e9 Von Gr\u00fcnig, Vocals \u2013 Bruno Schlatter<\/span><br \/><span style=\"color: #008000;\">Add. Info: Recorded August 1990 at Dionysos Recording Studio. Includes lyric booklet and insert with tracklist\/more lyrix. Words\/Vocals by Bruno Schlatter. The booklet has the sub-title &#8220;Musikalisch-Literarische Attentate&#8221;.<\/span><br \/><span style=\"color: #008000;\">City \/ State: Zofingen \/ Aargau<\/span><br \/><span style=\"color: #008000;\">See also: Well What<\/span><\/p><p><span style=\"color: #008000;\">JENSEITS DER ORDNUNG<\/span><br \/><span style=\"color: #008000;\">Anarchist musical\/performance group, m usically hard to categorise (a little bit of everything?), live they were just unique!<\/span><\/p><p><span style=\"color: #ffffff;\">Artist: Jivaros (Quartet)<\/span><br \/>Title: Cette lumi\u00e8re grise<br \/>Songs: Cette Lumi\u00e8re Grise \/ Entre Nos Ombres<br \/>Media: 7\u201c<br \/>Released: 1983<br \/>Label &amp; Cat.#: CP 11 002<br \/>Style: Alternative Rock<br \/>Members: J\u00e9rome Ballmer voc-guit, Miguel Morales guit, Vincent Schneider bass,<br \/>Patrick Dubois drums<br \/>Add. Info: Coverart by Herv\u00e9 Graber<br \/>City \/ State: La Chaux-De-Fonds \/ NE<br \/>See also:<\/p><p><span style=\"color: #ffffff;\">Artist: Jivaros Quartet<\/span><br \/>Title: Isolated Songs And Mud Sculptures<br \/>Songs: Lifeless Memories \/ Empty Land \/ Something Frail \/\/ Deception \/ Postcards \/ Another Lost Birthday<br \/>Media: Mini LP<br \/>Released: 1988<br \/>Label &amp; Cat.#: Organik ORG 88-12<br \/>Style: Alternative Rock<br \/>Members: J\u00e9rome Ballmer voc-guit, Miguel Morales guit, Vincent Schneider bass, Patrick Dubois drums<br \/>Add. Info: Recorded as Demo-Tapes in the fall of 1986. Mixed at Magnetix\/sunrise studio Z\u00fcrich by Hairi Vogel in january 1988. Coverart by St\u00e9phane Ballmer &amp; Jivaros Quartet<br \/>City \/ State: La Chaux-De-Fonds \/ NE<br \/>See also:<\/p><p><span style=\"color: #ffffff;\">Artist: Jivaros Quartet<\/span><br \/>Title: Wrong<br \/>Songs: Wrong \/ Bottomless Drawer \/\/ Driving Toys \/ The River In My Mind<br \/>Media: 12\u201c<br \/>Released: 1989<br \/>Label &amp; Cat.#: Loom Records Loon 890.8101<br \/>Style: Alternative Rock<br \/>Members: J\u00e9rome Ballmer voc-guit, Miguel Morales guit, Vincent Schneider bass, Patrick Dubois drums<br \/>Add. Info: Produced by Jivaros Quartet &amp; Jo De Krume. Recorded in May 1989 at SDH. by J.-L. Morgere. Coverart by St\u00e9phane Ballmer &amp; Jivaros Quartet<br \/>City \/ State: La Chaux-De-Fonds \/ NE<br \/>See also:<\/p><p><span style=\"color: #ffffff;\">Artist: Jivaros Quartet<\/span><br \/>Title: Near The Noise<br \/>Songs: Two Years \/ Wrong \/ A Song For Her \/ Scribbled Messages \/ Absent When You Came \/\/<br \/>Thousand Miles From Dover \/ Pebbles Down The Precipice \/ The Strangest Words \/ Gone Astray<br \/>\/ Noah&#8217;s Ark<br \/>Media: LP \/ CD \/ MC<br \/>Released: 1989<br \/>Label &amp; Cat.#: Loon Records\/Danceteria 890.9201 \/ Loon 890. 9301 Belgium<br \/>Style: Alternative Rock<br \/>Members: J\u00e9rome Ballmer voc-guit, Miguel Morales guit, Vincent Schneider bass, Patrick Dubois drums<br \/>Add. Info: Coverart by St\u00e9phane Ballmer. Produced by Jivaros Quartet &amp; Jo De Krume. Recorded in May 1989 at SDH. by J.-L. Morgere. Coverart by St\u00e9phane Ballmer &amp; Jivaros Quartet. J.Q. Lettering by C\u00e9dric Magnin<br \/>City \/ State: La Chaux-De-Fonds \/ NE<br \/>See also:<\/p><p><span style=\"color: #ffffff;\">Artist: Jivaros Quartet<\/span><br \/>Title: Implosion<br \/>Songs: Implosion \/\/ Underneath Paradise<br \/>Media: 7\u201c<br \/>Released: 1990<br \/>Label &amp; Cat.#: Danceteria 7 Dano 57 (France)<br \/>Style: Alternative Rock<br \/>Members: J\u00e9rome Ballmer voc-guit, Miguel Morales guit, Vincent Schneider bass, Patrick Dubois drums<br \/>Add. Info: Recorded at Mix-It, Paris. Produced by Philip Simpkin Ames. Sound engineer Charles Hurbier. Coverart by St\u00e9phane Ballmer &amp; Jivaros Quartet and Cover Photo by Patrick Dubois.<br \/>City \/ State: La Chaux-De-Fonds \/ NE<br \/>See also:<\/p><p><span style=\"color: #ffffff;\">Artist: Jivaros Quartet<\/span><br \/>Title: Goodbye Vincent<br \/>Songs: Round Glasses Man \/ Loneliness Pours Out Of Our Heads \/ Life Is A Ghost \/ The Motel Song \/ My Dysneyworld Girl \/ Implosion \/ Thunderbolt \/ Parallel Worlds \/ Little Fear \/ Backseat Driver<br \/>Media: LP \/ CD \/ MC<br \/>Released: 1990<br \/>Label &amp; Cat.#: Danceteria DAN LP 063 France<br \/>Style: Alternative Rock<br \/>Members: J\u00e9rome Ballmer voc-guit, Miguel Morales guit, St\u00e9phane Ballmer bass, Patrick Dubois drums<br \/>Add. Info: Coverart by Christophe Parel &amp; Jivaros Quartet. Cover Photos by St\u00e9phane Ballmer, Christophe Parel &amp; Patrick Dubois. J.Q. lettering by Alain Straubhaar. Produced by Philip Simpkin Ames. Sound engineer Charles Hurbier. Recorded at Mix.It, Paris, December 1990. Foldoutcover includes all songlyrics.<br \/>City \/ State: La Chaux-De-Fonds \/ NE<br \/>See also:<\/p><p>Jivaros Quartet<\/p><p>1979, La pr\u00e9histoire, premier concert avec the Lunatic Devils. Herv\u00e9 Graber \u00e0 la basse, Renzo Sciurpi \u00e0 la guitare et les fondateurs du futur Jivaros Quartet Patrick Dubois \u00e0 la batterie et J\u00e9r\u00f4me Ballmer \u00e0 la guitare et au chant. 1980-1985 Formation des Jivaros. Miguel Morales int\u00e8gre le groupe, Herv\u00e9 continue quelques temps. Premiers concerts \u00e0 la Chaux-de-Fonds et r\u00e9p\u00e9titions pour quelques ann\u00e9es..<br \/>1986, Enregistrement du premier 7&#8243; : Cette lumi\u00e8re grise \/ entre nos ombres. Herv\u00e9 quitte le groupe et Vincent Schneider le remplace. Premiers concerts dans des contr\u00e9es lointaines, tel que Bienne ou Gen\u00e8ve. Enregistrement d&#8217;une demo qui donnera le premier album 6 titres quelques temps plus tard.<br \/>1987, Sortie de deux titre sur la compilation cassette This Is Guitar Town sur le Label Calypso Now, concerts un peu partout en suisse souvent en premi\u00e8re partie, notamment de Jesus and Mary Chain \u00e0 la Rote Fabrik ou ils rencontre Markus May du label Organik qui sortira le premier mini LP l&#8217;ann\u00e9e suivante. Le groupe ajoute Quartet \u00e0 son nom car un groupe fran\u00e7ais s&#8217;appelait \u00e9galement Jivaros.<br \/>1988, Sortie du LP 6 titres Isolated songs and mud sculptures sur le label de Z\u00fcrich Organik. Premiers concerts \u00e0 l&#8217;\u00e9tranger. Katja Alves-Martin devient leur manger.<br \/>1989, Contrat avec le label fran\u00e7ais Danceteria par l&#8217;interm\u00e9diaire du producteur Joe De Krume enregistrement en France au studio SDH par Jean-Louis Morgere et sortie du premier album Near the noise pr\u00e9c\u00e9d\u00e9 du maxi single Wrong. Concerts en France et en Allemagne.<br \/>1990, Enregistrement \u00e0 Paris au studio Mix-it par Charles Hurbier du maxi single Implosion et du LP Goodbye Vincent produit par Philip Simpkin Ames pour Danceteria. Vincent enregistre encore le maxi et arr\u00eate, d&#8217;o\u00f9 le titre de l&#8217;album, remplac\u00e9 \u00e0 la basse par St\u00e9phane Ballmer, le fr\u00e8re de J\u00e9r\u00f4me qui a d\u00e9buter la guitare d\u00e8s 1983 avec le groupe de rock garage de la Chaux-de-Fonds les Bad Detectives et qui s&#8217;\u00e9tait occup\u00e9 jusque l\u00e0 des photos de presse et collabor\u00e9 aux diff\u00e9rentes pochettes du Jivaros Quartet. Pas-mal de concerts dans divers pays europ\u00e9ens.<br \/>1991, sortie du EP Lonelyness pours out of our heads enregistr\u00e9 au studio Mix-it \u00e0 Paris et remix\u00e9 au studio Artag \u00e0 Z\u00fcrich par Voco Fauxpas. Ce sera le dernier disque sur le label fran\u00e7ais Danceteria qui fera faillite quelques temps plus tard entra\u00eenant dans sa chute tout le stock de disques qui sont maintenant totalement introuvables.<br \/>1992-1993, P\u00e9riode trouble, recherche de solutions apr\u00e8s la faillite de Danceteria. Katja arr\u00eate le management, Alain Meyer reprend le flambeau. Miguel arr\u00eate lui aussi mais le Quartet continue \u00e0 trois. Quelques concerts, mise au point de morceaux, enregistrement d&#8217;une demo au studio des Forces Motrices \u00e0 Gen\u00e8ve par David Weber, un morceau de cette session figure sur leur dernier album. Le groupe est invit\u00e9 \u00e0 jouer au &#8220;New Music Seminar&#8221; \u00e0 New-York, ils jouent \u00e0 3h du matin dans une salle vide mais le voyage \u00e9tait sympa, Coney island plein de charme et la vue depuis le World Trade Centre \u00e9tait tr\u00e8s belle !<br \/>1994, Enregistrement d&#8217;une dizaine de titres \u00e0 Z\u00fcrich au studio Artag avec Voco fauxpas<br \/>1995, Sortie du -last but not least- dernier album du Jivaros Quartet Fever led us there sur Little records, le label &#8220;maison&#8221; cr\u00e9\u00e9 pour l&#8217;occasion. Miguel r\u00e9int\u00e8gre le groupe pour les concerts qui suivent. Fin du Jivaros Quartet apr\u00e8s un dernier concert aux Anciennes Prisons \u00e0 Moudon le 29 d\u00e9cembre 1995.<br \/>1996, J\u00e9r\u00f4me se met aux percussions St\u00e9phane passe \u00e0 la guitare et ils continuent avec Miguel toujours \u00e0 la guitare dans une formation plus minimaliste nomm\u00e9e Sunday Ada. Alain Meyer les accompagne toujours dans l&#8217;aventure. Ils commencent \u00e9galement \u00e0 s&#8217;enregistrer eux-m\u00eame, tout d&#8217;abord sur un 4 pistes \u00e0 cassette avec lequel ils produiront le 7&#8243; Hesitating \/ This fascination sorti cette m\u00eame ann\u00e9e sur Overdose records. 1997, Enregistrements au local (adaland), quelques concerts. 1998, Sortie du premier album de Sunday Ada Ada&#8217;s Heartbeat sur leur label Little records.<br \/>1999-2001, Concerts, enregistrement toujours au local mais sur un multi-pistes digital, participation au &#8220;Cirque \u00e9lectrique&#8221;, d\u00e9cision est prise avec Alain de sortir d&#8217;autre disques sur le label. Miguel arr\u00eate et collabore quelques temps avec les \u00e9ditions Plonk&amp;replonk, Guy Schneider le remplace \u00e0 la guitare mais doit arr\u00eater \u00e0 son tour pour des ennuis de sant\u00e9. J\u00e9r\u00f4me reprend alors la guitare, Roudy aka Daniel Staufacher le remplace \u00e0 la batterie. 2002, Sortie du 2\u00e8me album de Sunday Ada Amazing Springtime sur Little records ainsi que des disques de Guitar Fucker, Bebe&amp;Serge, Dead Brothers et Elenie Mandel. Tourn\u00e9e europ\u00e9enne avec Guitar Fucker et Bebe&amp;Serge. D\u00e9but d&#8217;un projet alternatif et tr\u00e8s sporadique nomm\u00e9 Avant-Garde Rock&#8217;n&#8217;Roll Soundsystem par les deux fr\u00e8res Ballmer. 2003, Roudy quitte le groupe et Jean-Pierre Vaufrey le remplace \u00e0 la batterie.<br \/>2004, Petite tourn\u00e9e en Angleterre. J\u00e9r\u00f4me en a raz-le-bol des concerts, il continuera \u00e0 faire de la musique mais se retire dans son salon. St\u00e9phane et Alain commencent \u00e0 collaborer sur un spectacle m\u00e9langeant ombres chinoises musique et textes appel\u00e9 &#8220;Lost Songs&#8221;, r\u00e9surrection &#8220;live on stage&#8221; d&#8217;une \u00e9mission anim\u00e9e par Alain mais pass\u00e9e \u00e0 la trappe sur couleur 3. Patrick participe au disque Soon d&#8217;Arabelle sorti sur Little records.<\/p><p>2005-2006, Quelques repr\u00e9sentations du spectacle &#8220;Lost Songs&#8221; par Alain et St\u00e9phane. Miguel se produit et sort un DVD sous le nom de George Calgon.<br \/>2007-2009, St\u00e9phane commence \u00e0 faire des reprises acoustiques et des petites vid\u00e9os dans sa cuisine qu&#8217;il met en ligne sur youtube sous le nom de Mr Wonkeyman. Alain publie le premier tome de son livre &#8220;La Piq\u00fbre du Scorpion&#8221; chez Little records et se met au chant et \u00e0 la guitare sous le nom de &#8220;Gonzo&#8221;. 2010, Sortie du CD de Gonzo &amp; Mr Wonkeyman &#8220;Fuck the Peace \/ Life Kills sur Little records<br \/>\u00a9St\u00e9phane Ballmer<\/p><p>Jivaros Quartet<\/p><p>Leurs d\u00e9buts remonten \u00e0 1980. J\u00e9rome Ballmer, Patrick Dubois, Miguel Morales et Vincent Schneider ont patiemment \u00e9labor\u00e9 leur propre style: Apr\u00e9s 6 ans de travail et de recherches, ils produissent n premier 45 tours aux deux titres \u00e9vocatuers, Cette lumi\u00e8re grise et Entre nos ombres.<br \/>En 1987, les quatre Jivaros pr\u00e9sentent deux titres sur une compilation de rock romand en cassette, This Is Guitar Town sur le Label Calypso Now, et se cr\u00e9ent une r\u00e9putation nationale. Ils jouent notamment avec les Fortunate Sons, les Mircale Workers et Jesus and Mary Chain. Suit une collaboration avec le Label Organik (ZH). On en veut pour preuve le Mini-LP Isolated Songs And Mud Sculpture. Le mat\u00e9riel n\u00e9cessaire \u00e0 la productiobn d\u2019un v\u00e9eritable LP a \u00e9t\u00e9 entretemps r\u00e9uni.<\/p><p><span style=\"color: #ffffff;\">Artist: Jof &amp; The Ram<\/span><br \/>Title:<br \/>Songs: Vie Belle \/ Berufsverbot \/ 3\u00b0Guerre \/ Aux Chiottes<br \/>Media: 12\u201c<br \/>Released: 1981<br \/>Label &amp; Cat.#: General Mix-Up 01<br \/>Style: Punk<br \/>Members:<br \/>Add. Info: Bubblewrap cover<br \/>City \/ State: Fribourg \/ FR<br \/>See also: Young Gods<\/p><p><span style=\"color: #ffffff;\">Artist: Johnny Bauchweh And The Broken Hearts<\/span><br \/>Title: Vielleicht Das Feuer<br \/>Songs: Schnee \/ Sie Werfen Blumen \/ An deiner Haut \/ Anrufung \/ Ode An Johnny Wal\u00f6ker \/\/ Bilder aus England \/ Bewegung Eingefroren \/ Brennende Palmen \/ Nackter Kuss \/ Vielleicht Das Feuer<br \/>Media: MC<br \/>Released: 1998<br \/>Label &amp; Cat.#: Winterschatten 009<br \/>Style:<br \/>Members: Frances Z(binden) drums, Martin Y bass, Johnny B guit-voc<br \/>Add. Info:.Recorded at Fidos 8 track cave in Basel by Stefan Hugye. Includes lyric infos.<br \/>City \/ State: Basel \/ BS<br \/>See also: The Crow<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Artists starting with &#8220;J&#8221; Gr\u00fcne Eintr\u00e4ge = Neue Eintr\u00e4ge (ab 2020) Artist: JackTitle: Armee And Fuck-Off Tout Le MondeSongs: Armee And Fuck-Off Tout Le Monde \/\/ Th\u00e9ologiquementMedia: 7&#8243; Released: 1981\/82Label &amp; Cat.#: Style: PunkMembers: All instruments JackAdd. Info: Arranged, recorded, mixed and artwork by Jack. Edition 500 copies.City \/ State: Gen\u00e8va \/ GESee also: JACK1. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-752","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/swisspunk.ch\/index.php\/wp-json\/wp\/v2\/pages\/752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swisspunk.ch\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/swisspunk.ch\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/swisspunk.ch\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/swisspunk.ch\/index.php\/wp-json\/wp\/v2\/comments?post=752"}],"version-history":[{"count":19,"href":"https:\/\/swisspunk.ch\/index.php\/wp-json\/wp\/v2\/pages\/752\/revisions"}],"predecessor-version":[{"id":5822,"href":"https:\/\/swisspunk.ch\/index.php\/wp-json\/wp\/v2\/pages\/752\/revisions\/5822"}],"wp:attachment":[{"href":"https:\/\/swisspunk.ch\/index.php\/wp-json\/wp\/v2\/media?parent=752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}